The Ant People: Hopi For Annunaki? The Anthills of Orion: Ancient Star Beings of the Hopi
All across the American Southwest we find petroglyphs (rock carvings) or pictographs (rock paintings) depicting entities with spindly bodies, large eyes, and bulbous heads that sometimes project antennae. These eerie figures are frequently shown in a “prayer stance,” their elbows and knees positioned at right angles, similar to the ant’s bent legs.
Do these rock drawings represent a race of Ant People? Do they actually record ancient encounters between humans and an alien species? Are the creatures truly “alien,” like those of the 1947 UFO crash near Roswell, New Mexico? Or are they some cryptobiological anomaly native to our planet? If not, then are they merely psychological manifestations-- creations of the collective unconscious? Let’s examine the evidence.
“Those that are of Orion” is the apparent meaning of the term Nephilim from Genesis 6:4 of the New English Bible. Masonic researchers Christopher Knight and Robert Lomas claim that the root Aramaic word nephîliâ is one name for the constellation. The Nephilim, of course, are familiar to readers of Zecharia Sitchin. This prolific scholar translates the Sumerian root NFL (not the American football league!) as “...those who were cast down upon the Earth!” The King James version calls them “giants in the earth.” Just before the great flood “the sons of the gods,” interpreted as either fallen angels or the Watchers, mated with “the daughters of men” to produce these giants. It may be more than a coincidence that Nephilim sounds much like the Hebrew word nemâlâh (pl. nemâlim), which means ant. In this case, morphology rather than size is the primary factor.
If the Nephilim are indeed “of Orion,” the Ant People could actually be those who were cast down from the skies, perhaps from Orion itself.
Because the constellation rises due east, one might think that the name Orion was derived from the word orient. In actuality, it is formed by dropping the initial "m" in the Indo-European stem morui. Astoundingly, this word means ant. Perhaps the constellation was so named because its narrow, anthropomorphic waist suggests the insect.
The Hopi term for Orion is Hotňmqam,which literally means either “to string up” (as beads on a string) or “trey.” This could refer to the three stars of Orion’s belt but also to the tripartite form of the ant: head, thorax, and abdomen. These shiny, bead-like sections of the ant’s body may have their celestial counterpart in what the Hopi consider the most important constellation in the heavens. The appearance of Orion through the overhead hatchways of Hopi kivas (semi-subterranean prayer chambers) still synchronizes many annual sacred ceremonies..
When Orion dominates winter skies, the ants are deep in their own “kivas” (hills). Although this seems contradictory, the zenith and the nadir are actually one shamanistic axis comprising the Underworld. Two separate realms exist in the Hopi cosmology: the surface of the earth as the site of human activity and a combined sky/underground region as the home of the spirits, in particular the kachinas. (For the Hopi a kachina is a masked spirit that can assume the form of any physical object, phenomenon, or living being.)
Both the ant mound with its dark tunnels and the kiva with its sipapuni (a hole in the floor symbolically linking it to the Underworld) embody the nether plane. This paradoxically arches upward across the skies to serve as home to the star spirits.
The Hopi god of death, the earth, and the Underworld is named Masau’u. Like the ants, he possess knowledge of both the surface of the earth and the chthonic regions. He wears a mask with large open eye holes and a large mouth. His huge, bald head resembles a summer squash, and his forehead bulges out in a ridge. His feet are long as a forearm, and his body is gray. This color is essential, since his name comes from the Hopi word maasi,meaning gray. In fact, this description from Hopi mythology is uncomfortably close to contemporary images of extraterrestrial Greys.
Masau’u is also the terrestrial equivalent of Orion, whose name, as we said, means ant. The Hopi believe that distances are insignificant to Masau’u because he can traverse the entire earth before morning comes. What better way to express Orion’s movement from the eastern to the western horizon during the night?
The Hopi word for ant is anu. In the same language naki means friend, prayer feathers, food offerings, or sand-- a nexus of concepts pertaining to this insect that sometimes flies. A combination of the two words (anu-naki,or “ant friend”) may be related to Sitchin’s Anunnaki. The Babylonian sky god was also named Anu. One Sumerian cylinder seal from around 2250 B.C.
shows the pantheon of primary deities wearing peaked hats. The Hopi sky god Sotuknang, closely associated with the earth god Masau’u, also wears a pointed headdress. Like their Middle Eastern counterparts, these American Indian divinities were present at the creation of the universe and continued to be instrumental in the culture’s development.
Anu (or Danu) was also the appellation of the Celtic mother goddess and patroness of the dead. In addition, Anu was another name for the Egyptian city of Heliopolis, where the benben stone of meteoric iron was kept. Furthermore, the Egyptian word anu meant not only products, revenues, or something brought in but also gifts, tributes, and offerings. This refers to both the ants’ ability to store provisions and the reverence given to the Ant People. In any case, their influence is
Ants played a crucial role in the survival of the ancient Hopi. The Ant People’s great kiva provided sanctuary during both the destruction of the First World, or First Era, by fire (volcanism or asteroids) and the Second World by ice (glaciers). [For a possible location of this, see Jack Andrews’ web site “Lost City of the Dead in the Grand Canyon.”] Only the virtuous members of the tribe following a certain cloud by day and a certain star by night were able to find the sky god Sotuknang. He elected to save these migrating “chosen people” by leading them to the Ant People for protection.
Ants are portrayed as generous and industrious, offering the Hopi sustenance when supplies ran short and teaching them the merits of food storage. In fact, ants have such thin waists today, the legend goes, because they once deprived themselves of provisions. In another account of the earliest eras, the Hopi themselves are described as ants when they were “way underneath.” The word underneath refers to both the Ant Kiva and the subterranean First and Second Worlds. The previous Third World destroyed by a flood is also conceptualized as being below ground, whereas our present Fourth World is on the Earth’s surface.
According to a rather brutal Hopi myth of “Why the Ants Are So Thin,” many ants were living east of Toko’navi, or Navaho Mountain near the Arizona/Utah border. These insects are described not in the allegorical manner of an Aesop fable but in an almost humanoid way. During a Kachina Society initiation, two ants had dressed up as fierce, giant Hu kachinas and flogged the ant children so hard that they were almost cut through in the middle of their bodies, hence their slenderness. Is this another reference to “giants in the earth”?
Ants are also associated with either warfare or hunting. The Hopi believe that both traits are related to Orion in particular and stars in general. This tribe also connects black ants with witchcraft. The Hopi word Toko’anu (similar to the mountain’s name) literally means flesh ant, the large dark red ant with a painful sting. On the other hand, the Red Ant Society of the Zuni, a tribe that lives near the Hopi, is associated with healing.
In Mesoamerica the Maya, who share many cultural traits with the Hopi, tell legends of ant-like men building stone cities and roads during the First Creation (World). These peculiar beings possessed magical powers and could summon stones into proper architectural positions by just whistling.
Archaeologist J. Eric S. Thompson writes: “Zayamuincob can be translated as ‘the twisted men’ or ‘the disjointed men,’ suggesting a connection with ‘hunchback.’ The word may also be connected with zay,‘ant,’ for there is also a Yucatec [Yucatan Maya] tradition of an ancient race called chac zay uincob,‘red ant men.’ They were industrious like the ants which take out the red earth and make straight roads through the forest.”
Each February the Hopi perform the Bean Dance inside their kivas. The fires are kept continuously ablaze, turning these underground structures into superb hot houses. This ritual may commemorate a time when the Ant People taught the Hopi how to sprout beans inside caverns in order to survive. The Hu kachinas previously mentioned are an integral part of this ceremony to initiate children into the Kachina Society.
Ants resonate deep in our psyches as archetypal denizens of dual worlds: the earth plane and the Underworld. Both linguistic and mythological evidence indicates, however, that the image of ant-like anthropoids is more than a psychological reaction to the tiny Formicidae of the natural world. Why else would the mass media consistently give ETs the characteristics of bugs? Unlike the vague phantasms of dreams, Ant People appear terrifyingly real.
If these creepy creatures are an extinct or isolated terrestrial species like Big Foot or the Loch Ness Monster, we have yet to uncover any fossil or skeletal evidence of their past existence.
Were the Ant People (nemâlim) actually the progeny (called Nephilim) of women who mated with rebel angels? Did an emissary from Orion, whose name means ant, come to Arizona in order to become Masau’u, the ant-like god of the Hopi? Were the Ant People willing to save the virtuous humans from two different natural cataclysms because the former saw in the latter the genetic reflection of themselves? Were the kiva-like caves in which the Hopi found refuge really the anthills of ancient star beings? These questions may in the end be unanswerable. Nevertheless, the implications keep us intrigued.
The reference to hunchback reminds us of Koko Pilau Kokopelli), the humpback flute player. This is the ubiquitous, insect-like fertility figure of Southwest petroglyphs.