CASPER
THE FRIENDLY GHOST
At 3:30 a.m.—when it seemed to matter—
then later—it looks like—"Ugh valiter"—
something the cat brought in—the cat—
with his beautiful face—and his—purr—
And what about the only joke I can ever
remember?—the one about the guy in the bar
with a chicken on the barstool next to him—
and his wife waiting at home—I love
that joke—(it's the only one I can remember)
because it reaches a level of malice that tempers me.
And why not focus on the footnotes
in the book about Lincoln's melancholy?—
How his melancholy was immense—and—
creative in the end—in that it compelled him
to further suffering (and laughter)—which
imagination (real imagination)—requires.
So—when I wake up again at 4:30 a.m. (now)—
I'm almost used to—the way—I can always hear
the newspaper hit the front door—the news there
on the front stoop—it has become the same news—
(suicide roadside bombs)—Fallujah—and then
flares of regret go off in my heart—(my heart)—
which is usually big—sometimes small—
(too often fretful—you know this also)—it's the way
the cold rushing wind arrives like the world—turning—
(as it slows)—(turning again)—as it almost seems to stop.
then later—it looks like—"Ugh valiter"—
something the cat brought in—the cat—
with his beautiful face—and his—purr—
And what about the only joke I can ever
remember?—the one about the guy in the bar
with a chicken on the barstool next to him—
and his wife waiting at home—I love
that joke—(it's the only one I can remember)
because it reaches a level of malice that tempers me.
And why not focus on the footnotes
in the book about Lincoln's melancholy?—
How his melancholy was immense—and—
creative in the end—in that it compelled him
to further suffering (and laughter)—which
imagination (real imagination)—requires.
So—when I wake up again at 4:30 a.m. (now)—
I'm almost used to—the way—I can always hear
the newspaper hit the front door—the news there
on the front stoop—it has become the same news—
(suicide roadside bombs)—Fallujah—and then
flares of regret go off in my heart—(my heart)—
which is usually big—sometimes small—
(too often fretful—you know this also)—it's the way
the cold rushing wind arrives like the world—turning—
(as it slows)—(turning again)—as it almost seems to stop.